Sacred Music 2023 Soloists

Olivia Doig, Soprano

Olivia Doig, SopranoChicago-based soprano Olivia Doig performs a range of classical and musical theater repertoire across the midwest. Most recently, Olivia spent the summer of 2019 as a resident artist with Florentine Opera in Milwaukee. Other recent performance highlights include Josephine in HMS Pinafore (Ohio Light Opera), Zaneeta in The Music Man (Ohio Light Opera), Amor in Ariane et Bachus (Haymarket Opera), the title role in Patience (Gilbert and Sullivan Company, Inc.), the soprano soloist in Vivaldi’s Gloria (Hinsdale Chorale), and Gabriel in Haydn’s Creation (Tallahassee Chorus). Olivia holds a Bachelors of Music from Wheaton College and a Masters of Music from Florida State University, and is currently a doctoral student at the University of Illinois. She has received awards from the American Opera Society of Chicago, the Musicians Club of Women, the Chicago Bel Canto Foundation, the Orpheus Music Competition, the Tallahassee Music Guild, the Chicago Italian Cultural Center, various NATS chapters, and the Metropolitan Opera National Council Auditions. She teaches a private voice studio, taught voice, and currently teaches as a Guest Lecturer in voice at Wheaton College.

Kathleen Felty, Mezzo-soprano

Kathleen Felty, Mezzo-sopranoMezzo-soprano Kathleen Felty, from Lubbock, Texas, was a member of the Lyric Opera Ryan Opera Center. She holds Bachelor Degrees in Music and Business Administration from Texas Tech University and a Master of Music from the AJ Fletcher Opera Institute at the North Carolina School of the Arts. Her Fletcher performances include Charlotte/Werther, Angelina/La Cenerentola, Unulfo/Rodelinda, Miss Jessell/Turn of the Screw, Geneviève/Impressions de Pelléas, Dinah/Trouble in Tahiti, Komponist/Ariadne auf Naxos, and Paula/Florencia en el Amazonas. Felty is a former Apprentice Artist of The Santa Fe Opera, where she received the Katharine Mayer Award and covered Composer/Ariadne auf Naxos. She also participated in Ravinia’s Steans Music Institute Program for Singers and, more recently, the Solti Accademia di Bel Canto fellowship program in Italy. Felty made her North Carolina Opera concert debut as Clotilde/Norma and her Dayton Opera debut in the role of Maddalena/Rigoletto. In Chicago she recently performed for the Harris Theater’s Beyond the Aria series. The mezzo is a four-time District Winner of the Metropolitan Opera Eric and Dominique Laffont Competition and a winner of the Charlotte Opera Guild Vocal Competition (2018) and the Heafner Williams Vocal Competition (2019).

Jonathan Johnson, Tenor

Jonathan Johnson, TenorIn the 23/24 season tenor Jonathan Johnson returns to Opera Colorado as the Steersman in Der Fliegende Höllander and makes his debuts with Washington Concert Opera in La Rodine and North Carolina Opera as Alfredo in La Traviata. He most recently appeared at Opera Colorado in Die Todt Stadt, the Opera Theatre of Saint Louis in Harvey Milk, the Tulsa Opera as Rinuccio in Gianni Schicci,and Opera Omaha as Anthony in Sweeney Todd. Other notable recent appearances have included the Prince in The Love for Three Oranges at Opera Philadelphia’s Festival O19, Jonathan Dale in Silent Night at Utah Opera, Beppe in I Pagliacci at Opera Colorado, the title role of Bernstein’s Candide with the Seoul Philharmonic Orchestra, Utah Symphony Orchestra, and Des Moines Metro Opera; Anna Bolena at Canadian Opera Company<, Frederic in The Pirates of Penzance and Lensky in Eugene Onegin at the Lyric Opera of Kansas City, Fenton in Falstaff at San Diego Opera, and Lindoro in L’italiana in Algeri at the Portland Opera. A graduate of the Patrick G. & Shirley W. Ryan Opera Center, the Lyric Opera of Chicago’s professional artist-development program, he appeared in the house’s main productions of Les TroyensLucia di LammermoorThe Merry Widow, Der Rosenkavalier, Capriccio, The Magic Victrola and Mieczysław Weinberg’s Holocaust opera The Passenger.

Ian Rucker, Baritone

Ian Rucker, BaritoneThe second-year Ryan Opera Center baritone is from Oshkosh, Wisconsin. He holds a master’s degree in vocal performance from Indiana University’s Jacobs School of Music. His roles there included Count Almaviva/The Marriage of Figaro and the title role/The Barber of Seville. He has also appeared as Papageno/The Magic Flute at Bloomington Chamber Opera. The baritone previously earned his bachelor’s degree in vocal performance at the University of Wisconsin-Eau Claire, where he was heard in the title roles/Don Giovanni and Sweeney Todd, as well as Officer Lockstock/Urinetown and Ernst Ludwig/Cabaret. Rucker is a former Palm Beach Opera Apprentice Artist and a former Aspen Summer Music Festival Renée Fleming Artist. He recently received an Encouragement Award in the Metropolitan Opera Laffont Competition (Wisconsin District) and first place in the James Toland Vocal Arts Competition.

 

 

Katherine Petersen Biography

Ktherine Petersen, sopranoKatherine Petersen is an engaging Soprano specializing in the performance of 21st Century repertoire for Voice/Saxophone and Russian Art Song. Her recent collaborations with Decho Saxophone Ensemble include performances at the International Congress of Voice Teachers in Vienna (2022), Cleveland Uncommon Sound Project (2022), Women Composers Festival of Hartford (2022), International Saxophone Symposium (2020) and an ensemble residency at Ohio University and the Lionel Hampton School of Music at the University of Idaho. Her doctoral dissertation “Russian Repertoire: Developmental Perspectives” investigates the paucity of Russian Song Repertoire in the American Voice studio and recital hall.

Based in Chicago, Katherine performs regularly with Folks Operetta, the Gilbert and Sullivan Opera Company, Chicago Opera Theater, and Transgressive Theatre-Opera. Recent roles include Margot in Die Kathrin, Bessie Throckmorton in Merrie England, Brigitta in Iolanta, Contessa in Marriage of Figaro, Counsel to the Plaintiff in Trial by Jury, Lady of the Lake in Masque at Kenilworth, and Sylva Varescu in Csardas Princess.

Previous regional performances include appearances with Opera Columbus, Bay View Music Festival, and the Russian Opera Workshop. Highlights of previous roles include Musetta in La bohème, Valencienne in The Merry Widow, Francesca in Rachmaninoff’s Francesca di Rimini, and Micaëla in Carmen. Concert repertoire highlights include soprano soloist in Dona Nobis Pacem by Ralph Vaughan Williams, Barber’s Knoxville: Summer 1915, Villa-Lobos’s Bachianas brasileiras No.5, and Handel’s Messiah.

Katherine Petersen, soprano

Dr. Petersen is also Associate Professor of Voice at Northeastern Illinois University in Chicago where she teaches Pedagogy, Song Literature, Studio Voice and Diction for Singers. She holds a DMA in Voice Performance from Ohio State University and a MM in Pedagogy and Performance from Westminster Choir College. During her time at OSU, Katherine was head of the Swank Voice Lab for Research and Pedagogy and taught several courses including Voice Pedagogy and Advanced Measurement Techniques for Voice. She was a participant in the 2018 Voice Pedagogy Summit II at the University of Southern California and the 2017 NATS Intern Program in Toronto; she was co-host of the International Voice Pedagogy Summit I at Ohio State University in 2015, as well as co-host of the NATS Summer Intern Program in 2014.

She has presented research at several conferences including those hosted by the Central Region NATS (2020 and 2021), the Hawaii International Conference for Arts and Humanities (2019), the Chicago Chapter of NATS (2018), the International Congress of Voice Teachers (2022, 2017), and the Pan American Vocology Association (2017). Katherine has been a board member with the Chicago Chapter of NATS for four years and currently serves as the Director of Auditions.

Leonardo Altino, cello

Born to musician parents in Pernambuco, American-Brazilian cellist Leonardo Altino began his musical studies at the age of five and gave his first performance at age eight. At eleven he gave his first performance with orchestra performing the Saint-Saens Concerto No. 1. His national breakthrough came at fourteen when Leonardo was the youngest winner at the Jovens Concertistas Brasileiros, a prestigious competition in Rio de Janeiro, which led to performances with every major orchestra and hall in his home country. At nineteen Leonardo was the first prize winner at the International Cello Competition Dr. Luis Segal in Viña Del Mar, Chile, and has since appeared in concerts in Argentina, Brazil, Chile, Colombia, Denmark, Greece, Italy, South Korea, Taiwan, Uruguay, Venezuela and the United States.

Praised by the Strad Magazine for his “exceptional musical intelligence and an exceptionally cultivated sound,” Leonardo has performed with orchestras such as the Boston Symphony, Odense Symphony, Wisconsin Chamber, Filarmonica de Minas Gerais, Carmel Symphony, Memphis Symphony, Montgomery Symphony, Symphony Pro Musica, Sinfonica Brasileira, Sinfônica Nacional do Brasil, Sinfonica Nacional de Chile, Sinfônica de São Paulo, and the Virtuosi Festival orchestras among many others, under the direction of conductors such as Elezar de Carvalho, Isaac Karabtchevisky, Carl Saint-Clair, Andrew Sewell, David Bowden and Fabio Mechetti. An avid chamber musician, he has collaborated with Monique Duphil, Victor Asuncion, Ilya Gringolts, Oleh Krysa, Giora Schmidt, Antonio Meneses, Fanz Helmerson, the Ceruti and Miró string quartets. Highlights of the upcoming season include return performances with the Filarmonica de Minas Gerais in Brazil and the Odense Symphony in Denmark performing Prokofiev’s Sinfonia Concertante, and with the Columbus Symphony Orchestra performing Brahms’ Double Concerto with his wife, violinist Soh-Hyun Park Altino.

A dedicated teacher and mentor, Leonardo has taught in many festivals around the world, including the Brevard Music Center, Masterworks Festival, Academia y Festival Nuevo Mundo in Venezuela, Festival de Inverno Campos do Jordão and Festival Virtuosi in Brazil. Leonardo studied at the New England Conservatory of Music in Boston and the Detmold Musihöchschule in Germany, and his main teachers include Francisco Pino, Aldo Parisot, Laurence Lesser, Marcio Carneiro and Suren Bagratuni. He was a recipient of the Montgomery Symphony Orchestra Fellowship where he served as artist-in-residence, and he was on the faculty at the University of Memphis for thirteen years. Currently he is an Associate Lecturer in Music at the Wheaton College Conservatory of Music where he teaches cello and chamber music. Leonardo resides in Wheaton, Illinois, with his wife, violinist Soh-Hyun, and son David.

Josefien Stoppelenburg

Josefien Stoppelenburg performed several times for Dutch Royal Family. She is currently performing all over the United States as a specialist of Baroque Music and as a concert singer. Stoppelenburg performed most major oratorio works by Bach, Handel, Haydn and Mozart, including Bach’s St John and St Matthew Passion, Christmas Oratorio, Mass in B minor, and many of his cantatas. By the end of this season, Josefien will have performed all Bach’s cantatas for solo soprano.

She frequently performs Mozart’s Requiem, the Mass in C minor, Handel’s Messiah, Dixit Dominus, La Resurrezione and many of Handel’s other vocal works. She performed The Creation and The Seasons by Haydn, Monteverdi’s Vespers of 1610, and appeared as a soloist in countless oratorio works by Schubert, Gounod, Rossini, Fauré, Britten (War Requiem), Poulenc(Gloria), Carissimi (Historia di Jephte) Telemann, Vivaldi (In furore Iustissimae Irae) and Buxtehude.

​Concerts this season include performances with the Dayton Opera, Newberry Consort, Baroque Music Festival Corona del Mar, Fort Wayne Symphony Orchestra, Arizona Bach Festival, St Louis Bach Society, Rembrandt Chamber Musicians, Boulder Bach Festival, Champaign Urbana Symphony Orchestra, Cincinnati Bach Ensemble, Evansville Symphony Orchestra, and with Camerata Amsterdam (the Netherlands).

​In October, Josefien performed the role of Anne Frank in James Whitbourn’s oratorio Annelies to great acclaim, with players of the Concertgebouw Orchestra, in the presence of the composer.Stoppelenburg performed as a soloist in Europe, the United States, Asia, South America, and the Arab Emirates.

​Her appearance on Chicago’s classical radio program“Live from WFMT” was selected as one of the 10 best performances in 2016. She won the Chicago Oratorio Award, the National Princess Christina Competition (Netherlands) and second prize in The American Prize Opera Competition.

Josefien gave vocal masterclasses about Baroque Music at Indiana University, (Jacobs School of Music) University of Colorado and Illinois State University and Cincinnati Conservatory of Music.

From 2005 until 2007, Stoppelenburg was part of the Young Opera Ensemble of Cologne, Germany. Leading operatic roles have included Aci in the Haymarket Opera Company’s acclaimed production of Handel’s Aci, Galatea e Polifemo and Tirsi in Clori, Tirsi e Fileno, and Poulenc’s La Voix Humaine in the International Chamber Opera Festival (The Netherlands). She has appeared with Camerata Amsterdam, Dutch Radio Philharmonic Orkest, Noord Nederlands Orkest, Haymarket Opera Company, Baroque Artists of Champaign Urbana, Fulcrum Point and Music of the Baroque, Bloomington Bach Cantata Project.

Ensemble Brothers and Sisters (vocal duo Charlotte and Josefien Stoppelenburg and piano duo Martijn and Stefan Blaak) recently appeared live on Radio 4, the Dutch classical radio station for Classical Music and just made their ensemble debut in the Concertgebouw in Amsterdam. As a vocal duo, Charlotte and Josefien have performed in nearly every concert hall in The Netherlands.
An advocate for new music, Josefien inspired many composers to write especially for her voice. She performed works by Jacob TV, Esa-Pekka Salonen, Stacy Garrop, Lita Grier, Eric Whitacre and William Neil, as well as works by Dutch composers, including her father, composer Willem Stoppelenburg.

Stoppelenburg’s second love is painting. She paints frequently on commission. In 2018 the Peoria Symphony Orchestra used her paintings for Mussorgsky’s Pictures at an Exhibition. The paintings were shown on a big screen during the performance. Her colorful art has been used as opera sets, cd booklets, music festival posters and as note cards.

Lauren Decker

Lauren Decker ContraltoRising star, Lauren Decker, possesses a booming contralto with “amber low notes” that is in a league of its own. She is lauded for “pouring out a dark, chocolatey sound with a plushness of tone and amplitude of voice rarely heard in a young singer”.

Ms. Decker most recently covered the role of Erda in Das Rheingold and Siegfried, 1st Norn in Götterdämmerung, and performed Schwertleite in Die Walküre as a part of David Pountney’s “brilliantly imaginative”, new Ring Cycle at the Lyric Opera of Chicago. Lauren made her Lyric Opera debut as Third Lady in Die Zauberflöte and went on to perform as Jade Boucher in Dead Man Walking, First Maid in Elektra, Inez in Il trovatore, Enrichetta di Francia in I puritani, and Annina in La traviata. While there, she also covered the roles of Madame de la Haltière in Massenet’s Cendrillon, Hécuba/Anna in Les Troyens, and Marthe Schwertlein in Faust. Outside of the mainstage, Lauren was seen as Miss Todd in The Old Maid and the Thief at the Grant Park Music Festival.

In summer 2019, Ms. Decker made a triumphant debut with the San Francisco Symphony in Elgar’s Sea Pictures, a signature work for her. She has also performed in concert with the South Dakota Symphony in Mahler 8, the Apollo Chorus/Elmhurst Symphony in the Verdi Requiem, the Civic Orchestra of Chicago, and the Harare International Festival of the Arts in Zimbabwe.

Additional roles in her repertoire include Ulrica from Un ballo in maschera, Principessa in Suor Angelica, Azucena in Il trovatore, and Dame Quickly in Falstaff.

Lauren was a quarterfinalist in the 2019 Operalia competition in Prague. She is a recent recipient of the Richard F. Gold career grant and was a national semifinalist in the 2018 Metropolitan Opera National Council Auditions, having previously been a two-time recipient of an Encouragement Award at their Upper Midwest Region. Winner of the 2019 Edith Newfield Scholarship from the Musician’s Club of Women of Chicago and 2018 Lola Fletcher scholarship in voice with the American Opera Society of Chicago, Decker has been featured in the Harris Theater’s Beyond the Aria series alongside Christine Goerke and Eric Owens and, later, Michael Fabiano and Zachary Nelson.

In addition to her four year tenure at the Ryan Opera Center, Decker has participated in the Britten-Pears Program at Snape Maltings, United Kingdom, Dolora Zajick’s Institute for Young Dramatic Voices, the American Wagner Project (Washington, D.C.) and the Georg Solti Accademia di Bel Canto (Italy). The Wisconsin native holds a B.F.A. in vocal performance from the University of Wisconsin-Milwaukee. She currently resides in Milwaukee.

Martin Luther Clark

Martin Luther Clark - TenorThird-year Ryan Opera Center tenor Martin Luther Clark holds a master’s degree in opera from the Curtis Institute of Music and a Bachelor of Music degree in Vocal Performance from the University of North Texas.

In 2021/22 at the Lyric Opera of Chicago he appeared in Sunday in the Park with Lyric’s Rising Stars and performed First Armored Man/The Magic Flute and Adult William and Chicken Plucker/Fire Shut Up in My Bones.

For Lyric’s 2020/21 virtual programming, Clark performed in Lawrence Brownlee and Friends: The Next Chapter, Creating The Factotum, Sole e Amore, Magical Music Around the World, and Rising Stars in Concert.

Among his roles at Curtis were the First Sailor/Dido and Aeneas, Tobias Ragg/Sweeney Todd, and Don Ottavio/Don Giovanni. Also on the East Coast, he sang Vaudemont/Iolanta and King Charles/The Maid of Orleans with the Russian Opera Workshop (2019 summer season). The previous year, he was heard as a Central City Opera Apprentice Artist and as tenor soloist at the Library of Congress, where he sang both published and unpublished works of Leonard Bernstein for the centennial celebration of the composer’s birth. Other appearances have included Lyric Opera of Kansas City (Resident Artist), University of North Texas Opera (numerous roles and galas), The Dallas Opera, Charlottesville Opera, Opera in Concert, Opera North, and Wolf Trap Opera. Originally from Marshall, Texas, Clark has received an Encouragement Award from the Metropolitan Opera Laffont Competition (2018), First Place in the Bill and Margot Winspear Opera Scholarship Competition (2014), and First Place in the NATS Vocal Competition, Division VI (2013).

In the 2022/23 season, he will appear in Lyric’s world premiere of both FACTOTUM and Proximity. He will also make his role and company debut as Rapunzel’s Prince in Sondheim’s Into the Woods at Tulsa Opera.

 

Rika Seko, violin

After graduating from Tokyo University of Arts, Rika Seko began her professional career in Bogota, Colombia in 1986, first as guest Concertmaster of the Colombia Symphony, then as Assistant Concertmaster in the Bogota Philharmonic Orchestra. During that time, she performed over 20 different concertos, from Baroque to Contemporary Repertoire, and gave numerous recitals in Latin America.

Since moving to Chicago in 1994 Rika has appeared with many Chicago-area orchestras including Chicago Philharmonic, Lyric Opera of Chicago and Camerata Chicago. As soloist she has performed with Peninsula Music Festival Orchestra (WI) and Elmhurst Symphony Orchestra (IL). She gave the Colombian premier performance of Serenade by Bernstein in 2006.

Currently she is Concertmaster at Elmhurst Symphony and a member of Grant Park Music Festival Symphony, Music of the Baroque, Fulcrum Point New Music Project and Associate Concert Master of Camerata Chicago.