Eric Gratz

Guest Concertmaster Eric Gratz

Camerata Chicago is delighted to announce the appointment of violinist Eric Gratz as guest concertmaster for the 2026-2027 season. He succeeds concertmaster Mathias Tacke, who retired at the end of the 2025-2026 season after serving 18 years with us. Mathias’s leadership elevated every performance, inspiring both musicians and audiences alike.

Gratz, an international prize-winning violinist, is artistic director of the American Chamber Music Society in Chicago. He previously served for nine seasons as concertmaster of the San Antonio Symphony. As both soloist and concertmaster, he has appeared with more than two dozen orchestras, including those of Cleveland, Louisiana, Phoenix, San Antonio, Tucson, Santa Fe Opera and the Indianapolis Chamber Orchestra.

Tony Payne

We are delighted to announce the appointment of Dr. Tony Payne as Composer-in-Residence at Camerata Chicago!

Dr. and Mrs. Payne at our Benefit Concert, Reception and Dinner on September 14, 2024

Dr. and Mrs. Payne at our Benefit Concert, Reception and Dinner on September 14, 2024

Dr. Tony Payne, was until July 2024 Associate Professor of Music, Director of Arts Events Management and General Manager of the highly successful Wheaton College Artist Series for 45 years, bringing some of the world’s greatest performing artists to the Wheaton College campus, including the Camerata Chicago Chamber Orchestra.

Prof. Payne has also been involved with the founding of Wheaton’s Arts4Ministry program and engages widely in music for Christian worship from Evangelical and Protestant to Roman Catholic and Russian Orthodox. He was Minister of Music at First Baptist Church, Wheaton from 1993-2013, and organist at Wheaton Bible Church since 2018.

He holds degrees in music composition from Wheaton College, Bowling Green State University, and a Doctor of Music degree in composition from Northwestern University School of Music.

Dr. Tony Payne, Composer-in-Residence

Dr. Tony Payne, Composer-in-Residence

His earliest compositions were inspired by his participation in the Bedford band program with David Tolly, Leonard Salvo and his dear friend, Paul Stanifer, the Bedford choir program with C. David Parker, also the music program of First Baptist Church, Temperance. He served the church in various ways, particularly under the ministry of his lifelong friend Dr. Robert Wisehart, and of Pauline Tolly (Bedford Alliance Church) and her mother, organist Elizabeth Williams. On Saturday mornings, he pestered Mrs.

Williams with questions about the organ during her rehearsal time, so much so that she sometimes struggled to be patient! Among all of these mentors, Tony found the inspiration to pursue a career and a life in music. After his advanced degrees, he returned to his alma mater, Wheaton College and has used that treasured assignment as a springboard to countless opportunities around the world from Auckland, New Zealand to Moscow, Russia.

At Wheaton, Tony Payne taught arranging, orchestration, electronic music and composition during his long tenure at the College’s Conservatory of Music. He has also served the Wheaton College Chapel Program as pianist, organist and worship leader on countless occasions. As a lifelong contributor to Christian worship, he has composed and published over 100 psalms, hymns and spiritual songs that are available in a spiral-bound book form.

Dr. Tony Payne Photo Credit Kayla Smith

Dr. Tony Payne Photo Credit Kayla Smith

Sacred Music 2026 Messiah Artists

We have four fabulous soloists for the Messiah 2026:

November 20 in Oak Park
November 21 in Wheaton
November 22 in Hinsdale:

Emily Richter – Soprano

Emily Richter, sopranoEmily Richter is a lyric soprano based in Chicago, IL. Having benefited from growing up all over the world from Zimbabwe to Armenia and living in musical centers such as London and Tokyo, Emily truly has a global perspective on what it means to be an artist. Soprano Emily Richter is a 2024 Grand Finals Winner of The Metropolitan Opera Eric and Dominique Laffont Competition. She is thrilled to be joining the Ryan Opera Center at the Lyric Opera of Chicago for the 2025/2026 season and Camerata Chicago for its annual production of The Messiah.

Camille Robles – Mezzo-soprano

Camille Robles, mezzo-soprano

Camille Robles is a Puerto Rican mezzo-soprano and an emerging young artist. She was recently selected to be part of the Ryan Opera Center Ensemble 2025/26 at the Lyric Opera of Chicago, starting in May 2025. In November 2024, she was a Puerto Rico District Winner in the Metropolitan Opera’s Laffont Competition, where she was awarded the Culturarte Prize, the Propuesta Clásica Foundation Prize, and the Audience Favorite Prize sponsored by Teatro de la Ópera de Puerto Rico.

Daniel Espinal – Tenor

Daniel Espinal, tenor

A second-year Ryan Opera Center member, the Cuban-Dominican tenor from Sarasota received a 2025 Sara Tucker Study Grant and was a national winner of the 2024 Metropolitan Opera Laffont Competition. In Lyric’s 2024/25 Season he sang Jacquino/Fidelio (debut) and Curzio/The Marriage of Figaro. A graduate of the Manhattan School of Music, Espinal continued his studies at Yale University, where he recently received a Master of Musical Arts degree.

Laureano Quant – Baritone

Laureano Quant, BaritoneA native of Barranquilla, Colombia, Laureano Quant holds a Master of Music degree from the Manhattan School of Music and a Master of Musical Arts degree from Yale University. Highlights of his repertoire include Belcore, The Elixir of Love, Guglielmo, Così fan tutte, Figaro, Saverio Mercadante’s I due Figaro, Maguire, Tobias Picker’s Emmeline, Zurga, The Pearl Fishers, Vittorio and The Boarder, Nino Rota’s I due timidi, Demetrius, A Midsummer Night’s Dream, and the Captain and Prince Ragotsky, Candide.

Evren Ozel, pianist

Pianist Evren Ozel Photo credit: Lisa-Marie Mazzucco

Pianist Evren Ozel Photo credit: Lisa-Marie Mazzucco

American pianist Evren Ozel has been described as “an absolute wow” (Third Coast Review) and “an artist capable of lifting everyone to another level” (LaScena Musicale), praised for his blend of technical mastery and compelling artistry. He is the Bronze Medalist of the 17th Van Cliburn International Piano Competition (2025), where he also received the special prize for the Best Performance of a Mozart Concerto.

Ozel has performed extensively throughout the United States and internationally, and is the recipient of a 2023 Avery Fisher Career Grant and a 2022 Salon de Virtuosi Career Grant. He is currently represented by Concert Artists Guild as an Ambassador Prize Winner of the 2021 Victor Elmaleh Competition.

Since making his orchestral debut with the Minnesota Orchestra at age 11, Ozel has appeared as soloist with the Cleveland Orchestra, Fort Worth Symphony Orchestra, and Jacksonville Symphony, performing under conductors such as Marin Alsop, Carlos Miguel Prieto, Jahja Ling, and Ruth Reinhardt. His debut album—Mozart concertos recorded with the ORF Vienna Radio Symphony Orchestra and conductor Howard Griffiths—was released in 2025 on Alpha Classics.Pianist Evren Ozel

Highlights of Ozel’s 2025–26 season include solo recitals for Portland Piano International, the Chopin Society of Minnesota, and Chamber Music Detroit. He has previously performed for the Harvard Musical Association, La Jolla Music Society, Cal Performances, and The Gilmore. A laureate of both the Cleveland International Piano Competition and the Dublin International Piano Competition, Ozel gave a recital at Salle Cortot (Paris) during the 2024–25 season as part of a series of international performances resulting from the Cleveland Competition, and will continue with appearances at Brandenburgische Sommerkonzerte (Germany) and the Vilnius Piano Festival (Lithuania).

A committed chamber musician, Ozel collaborates with artists including David Finckel and Wu Han, Stella Chen, Zlatomir Fung, Paul Huang, Kim Kashkashian, Daniel Phillips, and Marcy Rosen. He spent four summers at the Marlboro Music Festival, and is currently a 2024–27 Bowers Program Artist with the Chamber Music Society of Lincoln Center, with upcoming appearances at Alice Tully Hall. He will also perform in 2025–26 for the Philadelphia Chamber Music Society.

Ozel resides in Boston and holds Bachelor’s, Master’s, and Artist Diploma degrees from the New England Conservatory, where he studied with Wha Kyung Byun. His other important mentors include Jonathan Biss, Imogen Cooper, Richard Goode, András Schiff, and Mitsuko Uchida.

Lauren Decker

Lauren Decker ContraltoRising star, Lauren Decker, possesses a booming contralto with “amber low notes” that is in a league of its own. She is lauded for “pouring out a dark, chocolatey sound with a plushness of tone and amplitude of voice rarely heard in a young singer”.

Ms. Decker most recently covered the role of Erda in Das Rheingold and Siegfried, 1st Norn in Götterdämmerung, and performed Schwertleite in Die Walküre as a part of David Pountney’s “brilliantly imaginative”, new Ring Cycle at the Lyric Opera of Chicago. Lauren made her Lyric Opera debut as Third Lady in Die Zauberflöte and went on to perform as Jade Boucher in Dead Man Walking, First Maid in Elektra, Inez in Il trovatore, Enrichetta di Francia in I puritani, and Annina in La traviata. While there, she also covered the roles of Madame de la Haltière in Massenet’s Cendrillon, Hécuba/Anna in Les Troyens, and Marthe Schwertlein in Faust. Outside of the mainstage, Lauren was seen as Miss Todd in The Old Maid and the Thief at the Grant Park Music Festival.

In summer 2019, Ms. Decker made a triumphant debut with the San Francisco Symphony in Elgar’s Sea Pictures, a signature work for her. She has also performed in concert with the South Dakota Symphony in Mahler 8, the Apollo Chorus/Elmhurst Symphony in the Verdi Requiem, the Civic Orchestra of Chicago, and the Harare International Festival of the Arts in Zimbabwe.

Additional roles in her repertoire include Ulrica from Un ballo in maschera, Principessa in Suor Angelica, Azucena in Il trovatore, and Dame Quickly in Falstaff.

Lauren was a quarterfinalist in the 2019 Operalia competition in Prague. She is a recent recipient of the Richard F. Gold career grant and was a national semifinalist in the 2018 Metropolitan Opera National Council Auditions, having previously been a two-time recipient of an Encouragement Award at their Upper Midwest Region. Winner of the 2019 Edith Newfield Scholarship from the Musician’s Club of Women of Chicago and 2018 Lola Fletcher scholarship in voice with the American Opera Society of Chicago, Decker has been featured in the Harris Theater’s Beyond the Aria series alongside Christine Goerke and Eric Owens and, later, Michael Fabiano and Zachary Nelson.

In addition to her four year tenure at the Ryan Opera Center, Decker has participated in the Britten-Pears Program at Snape Maltings, United Kingdom, Dolora Zajick’s Institute for Young Dramatic Voices, the American Wagner Project (Washington, D.C.) and the Georg Solti Accademia di Bel Canto (Italy). The Wisconsin native holds a B.F.A. in vocal performance from the University of Wisconsin-Milwaukee. She currently resides in Milwaukee.